Leah DeVun is an artist and historian living in Brooklyn, New York. Her photographs and installations explore the legacies of feminism, queer and gendered communities, music and fandom, history, memory, and identity. Committed to analog/wet-process photography while it lasts, she strives to produce art that is participatory, interdisciplinary, and socially active. Her work has been featured in Artforum, Huffington Post, Capricious, LA Weekly, Art Papers, Hyperallergic, Feministing.com, Gallerist, New York Magazine, and Modern Painters, among other publications, and at venues such as DODGE Gallery, Johannes Vogt Gallery, Martina Johnston Gallery, the ONE Archives Gallery and Museum at the University of Southern California, The Front (New Orleans), She Works Flexible Gallery, Sage Art Center at the University of Rochester, the Houston Center for Photography, the Contemporary Austin, Leslie-Lohman Museum, Blanton Museum of Art, the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum, and MoMA PS1 Contemporary Arts Center.
DeVun received her Ph.D. from Columbia University and is currently an associate professor at Rutgers University, where she teaches women's and gender history. Her essays and reviews have appeared in Wired, Spot, Radical History Review, GLQ, WSQ (Women's Studies Quarterly), Osiris, and Journal of the History of Sexuality, as well as in a number of books. She is the author of the award-winnning book Prophecy, Alchemy, and the End of Time (Columbia University Press). She has lectured internationally and received grants and residential fellowships from the National Science Foundation, University of Wisconsin-Madison, UCLA, the Huntington Library, and the Stanford Humanities Center.